{"id":48786,"date":"2020-06-02T22:11:02","date_gmt":"2020-06-02T20:11:02","guid":{"rendered":"https:\/\/www.benoitrenaudin.com\/?page_id=48786"},"modified":"2025-08-29T18:30:00","modified_gmt":"2025-08-29T16:30:00","slug":"48786-2","status":"publish","type":"page","link":"https:\/\/www.benoitrenaudin.com\/","title":{"rendered":"Benoit Renaudin"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_fullwidth_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/header-benoit-renaudin.jpg\u00a0\u00bb disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_fullwidth_image][et_pb_fullwidth_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/header-bleu-mobile.jpg\u00a0\u00bb title_text=\u00a0\u00bbheader bleu mobile\u00a0\u00bb disabled_on=\u00a0\u00bboff|off|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; 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disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb module_id=\u00a0\u00bbbiographie\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#2A80B9&Prime; background_color_gradient_direction=\u00a0\u00bb309deg\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_blend=\u00a0\u00bbhue\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb29px||57px||false|false\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; make_equal=\u00a0\u00bbon\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1050px\u00a0\u00bb custom_padding=\u00a0\u00bb44px|0px|||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb80%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; text_font_size=\u00a0\u00bb12px\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb-11px|||||\u00a0\u00bb text_orientation_tablet=\u00a0\u00bb\u00a0\u00bb text_orientation_phone=\u00a0\u00bbcenter\u00a0\u00bb text_orientation_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>\u00a9 Rapha\u00eblle Mueller<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: center;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;%22>Beno\u00eet Renaudin vit et travaille \u00e0 Gen\u00e8ve.<\/span><\/p>\n<p style=%22box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: center;%22><span style=%22color: #ffffff;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22>Il est designer d\u2019interaction, <\/span><span style=%22display: inline !important; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22>musicien,<\/span><span style=%22display: inline!important;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22> <\/span><\/span><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22>sc\u00e9nographe, auteur.<\/span><\/span><\/p>\n<p style=%22box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: center;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;%22>Son approche transdisciplinaire lui permet d&rsquo;exp\u00e9rimenter dans le domaine du design d&rsquo;interface, de la musique exp\u00e9rimentale, dans la construction d&rsquo;instruments ou encore d&rsquo;imaginer des installations sonores.<\/span><\/p>\n<p style=%22box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: center;%22><span style=%22display: inline !important; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;%22>Il travaille actuellement sur une recherche \u00e0 la HEAD \u2013 Gen\u00e8ve sur la question des nouvelles utopies technologiques au Caire, en Egypte, avec la metteure en sc\u00e8ne Isis Fahmy. Il est \u00e9galement intervenant \u00e0 l\u2019\u00c9cole Publique de Journalisme de Tours (France) et dans le master Design social Impact du Paris College of Art en France.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;%22>Artiste associ\u00e9 de l\u2019Abri \u00e0 Gen\u00e8ve depuis septembre 2019, il b\u00e9n\u00e9ficie \u00e9galement d\u2019un atelier de la ville de Gen\u00e8ve (FMAC) \u00e0 l\u2019Usine jusqu\u2019en 2022.<\/span><\/p>\n<p style=%22box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: center;%22><span style=%22color: #ffffff;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22>Ancien journaliste entre 2009 et 2015, il est \u00e9galement d<\/span><span style=%22font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;%22>ipl\u00f4m\u00e9 du Master Media Design de la HEAD \u2013 Gen\u00e8ve (2017) et a \u00e9t\u00e9 assistant p\u00e9dagogique en Arts Visuels au sein de l\u2019option Construction \u00e0 la HEAD \u2013 Gen\u00e8ve (2017-2019).<\/span><\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb14px|||||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb|10px|-20px|10px|false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb1px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: justify;\"><span style=\"font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;\">Beno\u00eet Renaudin vit et travaille \u00e0 Gen\u00e8ve.<\/span><\/p>\n<p style=\"box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: currentcolor none 0px; text-align: justify;\"><span style=\"color: #ffffff;\"><span style=\"font-family: Calibri, Helvetica, sans-serif; font-size: 12pt;\">I<\/span>l est constructeur d&rsquo;instruments, musicien, sc\u00e9nographe, auteur.<\/span><\/p>\n<p style=\"box-sizing: border-box; margin: 0cm 0cm 0.0001pt; padding: 0px 0px 1em; outline: 0px; text-align: left;\"><span style=\"font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: #ffffff;\">Son approche transdisciplinaire lui permet d\u2019exp\u00e9rimenter dans le domaine de la musique exp\u00e9rimentale, de la construction d\u2019instruments ou encore d\u2019imaginer des installations sonores et des sc\u00e9nographie dans le domaine des arts vivants.<\/span><\/p>\n<p>Chercheur associ\u00e9 \u00e0 la HEAD \u2013 Gen\u00e8ve, il travaille sur les \u00e9critures exploratoires en design, le design fiction et la performance appliqu\u00e9e au principe de prototypage.<\/p>\n<p>Il a \u00e9t\u00e9 artiste associ\u00e9 de l\u2019Abri \u00e0 Gen\u00e8ve en 2019-20.<\/p>\n<p>Ancien journaliste entre 2009 et 2015, il est \u00e9galement dipl\u00f4m\u00e9 du Master Media Design de la HEAD \u2013 Gen\u00e8ve (2017) et a \u00e9t\u00e9 assistant p\u00e9dagogique en Arts Visuels au sein de l\u2019option Construction \u00e0 la HEAD \u2013 Gen\u00e8ve (2017-2019).<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb module_id=\u00a0\u00bbbiographie\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#2A80B9&Prime; background_color_gradient_direction=\u00a0\u00bb309deg\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_blend=\u00a0\u00bbhue\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb29px||57px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; make_equal=\u00a0\u00bbon\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.0&Prime; width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1300px\u00a0\u00bb custom_padding=\u00a0\u00bb44px|0px|||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb80%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; text_font_size=\u00a0\u00bb12px\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb-11px|||||\u00a0\u00bb text_orientation_tablet=\u00a0\u00bb\u00a0\u00bb text_orientation_phone=\u00a0\u00bbcenter\u00a0\u00bb text_orientation_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>\u00a9 Rapha\u00eblle Mueller<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_margin=\u00a0\u00bb40px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>Designer, musicien et performer, Beno\u00eet Renaudin d\u00e9veloppe des projets interdisciplinaires, imagine et con\u00e7oit des objets interactifs, sonores et performatifs.<\/p>\n<p>Avec un master en journalisme de l\u2019IJBA (Bordeaux\/France) en 2011 et un master en Media Design en 2017, son travail croise investigations et fabrications d&rsquo;artefacts sonores et interactifs.<\/p>\n<p>Ses projets d&rsquo;installation, de performances et de recherche ont \u00e9t\u00e9 montr\u00e9s au Forum des images \u2013 Paris, FNC \u2013 Montr\u00e9al, Experimenta Biennale Grenoble, Lieu Unique \u2013 Nantes, \u00e0 Klang Moor Shopfe, Grame \u2013 Lyon, D-Caf \u2013 Le Caire, Milan Salone di Mobile&#8230;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; disabled_on=\u00a0\u00bboff|off|on\u00a0\u00bb module_id=\u00a0\u00bbbiographie\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#2A80B9&Prime; background_color_gradient_direction=\u00a0\u00bb309deg\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_blend=\u00a0\u00bbhue\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb29px||57px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; make_equal=\u00a0\u00bbon\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.0&Prime; width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1300px\u00a0\u00bb custom_padding=\u00a0\u00bb44px|0px|||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb80%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; text_font_size=\u00a0\u00bb12px\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb-11px|||||\u00a0\u00bb text_orientation_tablet=\u00a0\u00bb\u00a0\u00bb text_orientation_phone=\u00a0\u00bbcenter\u00a0\u00bb text_orientation_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>\u00a9 Rapha\u00eblle Mueller<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_margin=\u00a0\u00bb|10px||10px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>Designer, musicien et performer, Beno\u00eet Renaudin d\u00e9veloppe des projets interdisciplinaires, imagine et con\u00e7oit des objets interactifs, sonores et performatifs.<\/p>\n<p>Avec un master en journalisme de l\u2019IJBA (Bordeaux\/France) en 2011 et un master en Media Design en 2017, son travail croise investigations et fabrications d&rsquo;artefacts sonores et interactifs.<\/p>\n<p>Ses projets d&rsquo;installation, de performances et de recherche ont \u00e9t\u00e9 montr\u00e9s au Forum des images \u2013 Paris, FNC \u2013 Montr\u00e9al, Experimenta Biennale Grenoble, Lieu Unique \u2013 Nantes, \u00e0 Klang Moor Shopfe, Grame \u2013 Lyon, D-Caf \u2013 Le Caire, Milan Salone di Mobile&#8230;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb module_id=\u00a0\u00bbbiographie\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#2A80B9&Prime; background_color_gradient_direction=\u00a0\u00bb309deg\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_blend=\u00a0\u00bbhue\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb29px||57px||false|false\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; make_equal=\u00a0\u00bbon\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.0&Prime; width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1300px\u00a0\u00bb custom_padding=\u00a0\u00bb44px|0px|||false|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb20px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb80%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; text_font_size=\u00a0\u00bb12px\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb custom_margin=\u00a0\u00bb-11px|||||\u00a0\u00bb text_orientation_tablet=\u00a0\u00bb\u00a0\u00bb text_orientation_phone=\u00a0\u00bbcenter\u00a0\u00bb text_orientation_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>\u00a9 Rapha\u00eblle Mueller<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.25.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb15px\u00a0\u00bb custom_margin=\u00a0\u00bb|10px||10px|false|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\">Chercheur associ\u00e9 \u00e0 la Haute Ecole D\u2019Art et de Design \u00e0 Gen\u00e8ve, Beno\u00eet Renaudin a \u00e9galement fait partie des artistes associ\u00e9s de l\u2019Abri \u00e0 Gen\u00e8ve en 2019-20. Il m\u00e8ne plusieurs recherches sur la question des objets performatifs et sonores, du design d&rsquo;interaction et de la sc\u00e9nographie.<\/p>\n<p style=\"text-align: justify;\">Designer, musicien, performer, sc\u00e9nographe, Beno\u00eet Renaudin s\u2019\u00e9panouit dans de nombreux projets. Il privil\u00e9gie les projets interdisciplinaires, imagine et con\u00e7oit des objets interactifs et performatifs en design, au th\u00e9\u00e2tre et en musique contemporaine. Apr\u00e8s avoir \u00e9t\u00e9 dipl\u00f4m\u00e9 en journalisme \u00e0 l&rsquo;IJBA (Bordeaux\/France) et travaill\u00e9 pendant plusieurs ann\u00e9es dans la presse culturelle, il reprend ses \u00e9tudes \u00e0 la HEAD \u2013 Gen\u00e8ve et obtient son dipl\u00f4me du master Media Design en 2017.<\/p>\n<p style=\"text-align: justify;\">Depuis 2015, il collabore en Suisse avec des metteurs en sc\u00e8ne, des musiciens, des compositeurs ou d&rsquo;autres designers. Il a travaill\u00e9 avec la metteure en sc\u00e8ne Isis Fahmy sur le projet Kairo[s] (Th\u00e9\u00e2tre Saint-Gervais de Gen\u00e8ve en 2015 et 2018, r\u00e9sidence Pro Helvetia au Caire 2016, Festival de la Cit\u00e9 \u00e0 Lausanne 2016, Th\u00e9\u00e2tre Olympia \u00e0 Tours en France). En 2016 et 2017, il signe la performance HORDE avec la Compagnie IF et con\u00e7oit les instruments de la performance (Festival de la Cit\u00e9 2017, Lieu Unique \u00e0 Nantes en 2018). En 2019, il con\u00e7oit la sc\u00e9nographie et de nouveaux instruments pour la pi\u00e8ce de th\u00e9\u00e2tre Contrevent[s] (La B\u00e2tie, Le Castrum) dans laquelle il joue \u00e9galement comme musicien.<\/p>\n<p style=\"text-align: justify;\">Designer d&rsquo;interaction et musicien exp\u00e9rimental ses projets ont \u00e9t\u00e9 montr\u00e9s au festival Archipel, \u00e0 Klang Moor Shopfe, soir\u00e9e Ensemble Vortex, Th\u00e9\u00e2tre Saint-Gervais, Th\u00e9\u00e2tre de la Grange \u2013 UNIL, Hexagone \u2013 sc\u00e8ne nationale art science de Meylan, Grame \u2013 Lyon, D-Caf \u2013 Le Caire, FNC \u2013 Montreal, Com\u00e9die de Gen\u00e8ve, GIFF, Digidays Chur, Forum des images \u2013 Paris, Th\u00e9\u00e2tre Forum-Meyrin, Experimenta Biennale Grenoble, F\u00eate du Th\u00e9\u00e2tre \u2013 Gen\u00e8ve, Milan Salone di Mobile 2017, Design days Gen\u00e8ve, Art@GIF\u00a0 &#8211; ONU, White night Moscow, Ludicious&#8230;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; admin_label=\u00a0\u00bbProducts Section\u00a0\u00bb module_id=\u00a0\u00bbparcours\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#ffffff\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|38px|0px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-18px|auto||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb73px||7px|||\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Expositions collectives :<\/span><\/strong><\/span><span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Murmures (installation\/sculpture) &#8211; <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>Exposition HEAD Salone Ludico &#8211; Milan 2017 &#8211;<\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22> Narratives of a near future \/ New campus HEAD 2017 <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>arts@IGF ONU Gen\u00e8ve 2018<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>&#8211; Prospektives labor (installation\/performance). Porzi Langenthal, Kunsthaus Langenthal, 2018.<\/span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Instrumentanimal (installation sonore). Biennale de la Fonderie Kugler, Utopik Park 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Performance review (Vid\u00e9o). Biennale du design de Saint-Etienne 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Prom\u00e9th\u00e9e (jeu vid\u00e9o exp\u00e9rimental). Ga\u00eft\u00e9 Lyrique<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22> &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016, Swissnex India 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Ghost house (installation r\u00e9alit\u00e9 virtuelle). Tous Ecrans 2016, NIFFF 2017. <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22>Exposition personnelle :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Three cubic meter Kairo%91s%93 (installation sonore). En duo avec la metteure en sc\u00e8ne Isis Fahmy. Artellewa art center, le Caire, avril 2016.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Distinctions :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 pour les Bourses de la ville de Gen\u00e8ve 2019 et Obtention d&rsquo;un atelier de la ville de Gen\u00e8ve de 2019 \u00e0 2022. <\/span><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22 face=%22Calibri, Helvetica, sans-serif%22 color=%22#000000%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>&#8211; Prix National d\u2019Innovation p\u00e9dagogique 2017 par le Minist\u00e8re de l\u2019Enseignement sup\u00e9rieur, de la Recherche et de l\u2019Innovation fran\u00e7ais pour le travail effectu\u00e9 \u00e0 l\u2019EPJT (2017)<\/span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 au Storyworld Cern par le NIFFF 2017<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; New Digital Talents Festival Tous Ecrans pour Kairo%91s%93 (2016)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Prix Hits Playtime pour le jeu Prom\u00e9th\u00e9e(2016) <\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Expositions collectives :<\/span><\/strong><\/span><span><br \/> <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Murmures (installation\/sculpture) &#8211; <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">Exposition HEAD Salone Ludico &#8211; Milan 2017 &#8211;<\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"> Narratives of a near future \/ New campus HEAD 2017 <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">arts@IGF ONU Gen\u00e8ve 2018<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">&#8211; Prospektives labor (installation\/performance). Porzi Langenthal, Kunsthaus Langenthal, 2018.<\/span><br \/> <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Instrumentanimal (installation sonore). Biennale de la Fonderie Kugler, Utopik Park 2017.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Performance review (Vid\u00e9o). Biennale du design de Saint-Etienne 2017.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Prom\u00e9th\u00e9e (jeu vid\u00e9o exp\u00e9rimental). Ga\u00eft\u00e9 Lyrique<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"> &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016, Swissnex India 2017.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Ghost house (installation r\u00e9alit\u00e9 virtuelle). Tous Ecrans 2016, NIFFF 2017. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"color: #000000; font-family: Calibri, Helvetica, sans-serif;\">Exposition personnelle :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Three cubic meter Kairo[s] (installation sonore). En duo avec la metteure en sc\u00e8ne Isis Fahmy. Artellewa art center, le Caire, avril 2016.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Distinctions :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 pour les Bourses de la ville de Gen\u00e8ve 2019 et Obtention d&rsquo;un atelier de la ville de Gen\u00e8ve de 2019 \u00e0 2022. <\/span><span style=\"color: #000000; font-family: Calibri, Helvetica, sans-serif;\" face=\"Calibri, Helvetica, sans-serif\" color=\"#000000\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">&#8211; Prix National d\u2019Innovation p\u00e9dagogique 2017 par le Minist\u00e8re de l\u2019Enseignement sup\u00e9rieur, de la Recherche et de l\u2019Innovation fran\u00e7ais pour le travail effectu\u00e9 \u00e0 l\u2019EPJT (2017)<\/span><br \/> <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 au Storyworld Cern par le NIFFF 2017<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; New Digital Talents Festival Tous Ecrans pour Kairo[s] (2016)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Prix Hits Playtime pour le jeu Prom\u00e9th\u00e9e(2016) <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22>Etudes :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Master de journalisme \u00e0 l\u2019Institut de Journalisme de Bordeaux Aquitaine (\u00e9cole reconnue par la profession) Universit\u00e9 de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Licence \u00e0 l\u2019Universit\u00e9 Complutense de Madrid. Facult\u00e9 des sciences de la communication. (2007)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Bachelor LEA (anglais et espagnol) \u00e0 l\u2019Universit\u00e9 de Tours option medias. (2007)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; S\u00e9jour d\u2019un an aux USA. Obtention du bac \u00e0 la Cheyenne Mountain high-school. (2004)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Baccalaur\u00e9at scientifique. (2003)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Exp\u00e9riences professionnelles :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Artiste associ\u00e9 de l&rsquo;Abri 2019-2020<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD, bachelor Arts Visuels, option construction. (depuis 2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Responsable r\u00e9daction web et papier de l\u2019hebdomadaire tmv \u00e0 Tours et Niort. Mise en place de partenariats, coordinateur R&#038;D, initiateur r\u00e9\ufb02exion bi-m\u00e9dia. (2011-15)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; R&#038;D mag Usbek &#038; Rica. (2011)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Journaliste culture dans le quotidien La Croix. (2010-11)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>&#8211; Autres exp\u00e9riences en journalisme : <\/span><\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>T\u00e9l\u00e9rama. (2009) SudOuest. (2008-09). Okapi (2011). Phosphore (2011).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Enseignements :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Charg\u00e9 de cours : cycle sur l\u2019innovation dans le master de l\u2019\u00e9cole Publique de Journalisme de Tours. (depuis 2014)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Intervenant dans le master Design for social impact \u00e0 la Paris College of art (depuis 2018)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;%22>&#8211; Organisation de conf\u00e9rences et de workshops \u00e0 la Ga\u00eet\u00e9 Lyrique et membre du comit\u00e9 scientifique du Design Fiction Club. (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"color: #000000; font-family: Calibri, Helvetica, sans-serif;\">Etudes :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Doctorat (en cours) au sein du laboratoire SACRe (ED.540 ENS-PSL), ENSADlab (Paris) et HEAD-Gen\u00e8ve<\/p>\n<p><\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve (2017)<\/p>\n<p><\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Master de journalisme \u00e0 l\u2019Institut de Journalisme de Bordeaux Aquitaine (\u00e9cole reconnue par la profession) Universit\u00e9 de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Licence \u00e0 l\u2019Universit\u00e9 Complutense de Madrid. Facult\u00e9 des sciences de la communication. (2007)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Bachelor LEA (anglais et espagnol) \u00e0 l\u2019Universit\u00e9 de Tours option medias. (2007)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; S\u00e9jour d\u2019un an aux USA. Obtention du bac \u00e0 la Cheyenne Mountain high-school. (2004)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Baccalaur\u00e9at scientifique. (2003)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Exp\u00e9riences professionnelles :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Artiste associ\u00e9 de l&rsquo;Abri 2019-2020<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD, bachelor Arts Visuels, option construction. (depuis 2017)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Responsable r\u00e9daction web et papier de l\u2019hebdomadaire tmv \u00e0 Tours et Niort. Mise en place de partenariats, coordinateur R&amp;D, initiateur r\u00e9\ufb02exion bi-m\u00e9dia. (2011-15)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; R&amp;D mag Usbek &amp; Rica. (2011)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Journaliste culture dans le quotidien La Croix. (2010-11)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">&#8211; Autres exp\u00e9riences en journalisme : <\/span><\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">T\u00e9l\u00e9rama. (2009) SudOuest. (2008-09). Okapi (2011). Phosphore (2011).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Enseignements :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Charg\u00e9 de cours : cycle sur l\u2019innovation dans le master de l\u2019\u00e9cole Publique de Journalisme de Tours. (depuis 2014)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Intervenant dans le master Design for social impact \u00e0 la Paris College of art (depuis 2018)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;\">&#8211; Organisation de conf\u00e9rences et de workshops \u00e0 la Ga\u00eet\u00e9 Lyrique et membre du comit\u00e9 scientifique du Design Fiction Club. (2017)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Cr\u00e9ations performance :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Louise Augustine. Festival Les Cr\u00e9atives &#8211; Th\u00e9\u00e2tre Saint-Gervais (2019).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Contrevent%91s%93. Performeur, sc\u00e9nographe, cr\u00e9ateur des instruments. Festival Castrum d&rsquo;Yverdon (2019), La B\u00e2tie (2019).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; HORDE. Concepteur et compositeur pour la performance sonore. Festival de la Cit\u00e9 2017 \u00e0 Lausanne. Abri Gen\u00e8ve (2017) Lieu Unique Nantes (2018)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Kairo%91s%93. Co-concepteur d\u2019installations et de performances interactives et sonores. <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire (2016), Festival de la Cit\u00e9 2016 Lausanne (2016), Th\u00e9\u00e2tre Olympia en France (2016), Festival Nouveau Cin\u00e9ma \u00e0 Montr\u00e9al (2017) <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Louise Augustine. Cr\u00e9ateur son pour le Sloop au Th\u00e9\u00e2tre du Poche \u00e0 Gen\u00e8ve (2016)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Recherches :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Recherche HEAD &#8211; Gen\u00e8ve sur la question des nouvelles utopies technologiques au Caire avec l&rsquo;IRAD (<span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>Institut de Recherche en art et en design<\/span>, l&rsquo;IRMAS (<span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>Institut de recherche en musique et arts de la sc\u00e8ne), l&rsquo;American University in Cairo et le festival CairoTronica (depuis octobre 2019).<\/span><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Recherche \u00e0 l\u2019IRMAS en collaboration avec l\u2019IRAD . (Juillet 2018 \u00e0 octobre 2019)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Organisation d\u2019un atelier de recherche en design fiction au NUMA (Paris) (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; R\u00e9sidence de recherche artistique au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique pour HORDE, Poissy (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Bourse de r\u00e9sidence et de recherche <\/span><span style=%22color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;%22>en cr\u00e9ation Pro Helvetia au Caire pour le projet Kairo%91s%93. (2016)<\/span><\/p>\n<p style=%22text-align: justify;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: justify;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Cr\u00e9ations performance :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Louise Augustine. Festival Les Cr\u00e9atives &#8211; Th\u00e9\u00e2tre Saint-Gervais (2019).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Contrevent[s]. Performeur, sc\u00e9nographe, cr\u00e9ateur des instruments. Festival Castrum d&rsquo;Yverdon (2019), La B\u00e2tie (2019).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; HORDE. Concepteur et compositeur pour la performance sonore. Festival de la Cit\u00e9 2017 \u00e0 Lausanne. Abri Gen\u00e8ve (2017) Lieu Unique Nantes (2018)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Kairo[s]. Co-concepteur d\u2019installations et de performances interactives et sonores. <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire (2016), Festival de la Cit\u00e9 2016 Lausanne (2016), Th\u00e9\u00e2tre Olympia en France (2016), Festival Nouveau Cin\u00e9ma \u00e0 Montr\u00e9al (2017) <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Louise Augustine. Cr\u00e9ateur son pour le Sloop au Th\u00e9\u00e2tre du Poche \u00e0 Gen\u00e8ve (2016)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">Recherches :<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Recherche HEAD &#8211; Gen\u00e8ve sur la question des nouvelles utopies technologiques au Caire avec l&rsquo;IRAD (<span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">Institut de Recherche en art et en design<\/span>, l&rsquo;IRMAS (<span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">Institut de recherche en musique et arts de la sc\u00e8ne), l&rsquo;American University in Cairo et le festival CairoTronica (depuis octobre 2019).<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Recherche \u00e0 l\u2019IRMAS en collaboration avec l\u2019IRAD . (Juillet 2018 \u00e0 octobre 2019)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Organisation d\u2019un atelier de recherche en design fiction au NUMA (Paris) (2017)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; R\u00e9sidence de recherche artistique au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique pour HORDE, Poissy (2017)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Bourse de r\u00e9sidence et de recherche\u00a0<\/span><span style=\"color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;\">en cr\u00e9ation Pro Helvetia au Caire pour le projet Kairo[s]. (2016)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3&Prime; use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2&Prime; disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.0&Prime; max_width=\u00a0\u00bb1300px\u00a0\u00bb custom_margin=\u00a0\u00bb-18px|auto||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb73px||7px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Expositions collectives :<\/span><\/strong><\/span><span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Murmures (installation\/sculpture) &#8211; <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>Exposition HEAD Salone Ludico &#8211; Milan 2017 &#8211;<\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22> Narratives of a near future \/ New campus HEAD 2017 <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>arts@IGF ONU Gen\u00e8ve 2018<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>&#8211; Prospektives labor (installation\/performance). Porzi Langenthal, Kunsthaus Langenthal, 2018.<\/span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Instrumentanimal (installation sonore). Biennale de la Fonderie Kugler, Utopik Park 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Performance review (Vid\u00e9o). Biennale du design de Saint-Etienne 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Prom\u00e9th\u00e9e (jeu vid\u00e9o exp\u00e9rimental). Ga\u00eft\u00e9 Lyrique<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22> &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016, Swissnex India 2017.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Ghost house (installation r\u00e9alit\u00e9 virtuelle). Tous Ecrans 2016, NIFFF 2017. <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22>Exposition personnelle :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Three cubic meter Kairo%91s%93 (installation sonore). En duo avec la metteure en sc\u00e8ne Isis Fahmy. Artellewa art center, le Caire, avril 2016.<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Distinctions :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 pour les Bourses de la ville de Gen\u00e8ve 2019 et Obtention d&rsquo;un atelier de la ville de Gen\u00e8ve de 2019 \u00e0 2022. <\/span><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22 face=%22Calibri, Helvetica, sans-serif%22 color=%22#000000%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>&#8211; Prix National d\u2019Innovation p\u00e9dagogique 2017 par le Minist\u00e8re de l\u2019Enseignement sup\u00e9rieur, de la Recherche et de l\u2019Innovation fran\u00e7ais pour le travail effectu\u00e9 \u00e0 l\u2019EPJT (2017)<\/span><br \/> <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 au Storyworld Cern par le NIFFF 2017<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; New Digital Talents Festival Tous Ecrans pour Kairo%91s%93 (2016)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Prix Hits Playtime pour le jeu Prom\u00e9th\u00e9e(2016) <\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; custom_padding=\u00a0\u00bb||1px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #020202;\"><strong>Etudes :<\/strong><\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; <span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">Doctorat (en cours) au sein du laboratoire SACRe (ED.540 ENS-PSL), ENSADlab (Paris) et HEAD-Gen\u00e8ve<\/span><\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve <\/span><span style=\"color: #020202;\">(2017)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master de journalisme \u00e0 l\u2019Institut de <\/span><span style=\"color: #020202;\">Journalisme de Bordeaux Aquitaine Universit\u00e9 <\/span><span style=\"color: #020202;\">de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p><span style=\"color: #020202;\"><strong>Enseignement :<\/strong><\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Chercheur associ\u00e9 \u00e0 l\u2019Institut de Recherche <\/span><span style=\"color: #020202;\">en Art et en Design de la HEAD &#8211; Gen\u00e8ve.<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Intervenant Media Design et Architecture <\/span><span style=\"color: #020202;\">d\u2019int\u00e9rieur &#8211; HEAD &#8211; Gen\u00e8ve. (2020-2022)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD &#8211; <\/span><span style=\"color: #020202;\">Gen\u00e8ve, bachelor Arts Visuels, option <\/span><span style=\"color: #020202;\">Construction. (2017-19)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Intervenant au Paris College of Art, <\/span><span style=\"color: #020202;\">Master Design for social Impact. (Depuis <\/span><span style=\"color: #020202;\">avril 2019)<\/span><\/p>\n<p><span style=\"color: #020202;\"><strong>Autres exp\u00e9riences professionnelles :<\/strong><\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Journaliste presse \u00e9crite culturelle entre <\/span><span style=\"color: #020202;\">2010 et 2015 : Tmv Tours (2012- <\/span><span style=\"color: #020202;\">2015), La Croix ( 2010-11). Usbek et <\/span><span style=\"color: #020202;\">Rika (2010). T\u00e9l\u00e9rama. (2009) Sud <\/span><span style=\"color: #020202;\">Ouest. (2008-09). Okapi (2011). <\/span><span style=\"color: #020202;\">Nouvelle-R\u00e9publique du Centre-Ouest <\/span><span style=\"color: #020202;\">(2008). GQ (2008).<\/span><\/p>\n<p><span style=\"color: #020202;\"><strong>Distinctions et r\u00e9sidences :<\/strong><\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Laur\u00e9at Lips Lab 2023 &#8211; GRAME &#8211; Centre national de cr\u00e9ation musicale.<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Artiste associ\u00e9 \u00e0 l\u2019Abri &#8211; Gen\u00e8ve. 2019-2021.<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Laur\u00e9at d\u2019un Atelier de la ville de Gen\u00e8ve \u00e0 l\u2019Usine (2019)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Nomin\u00e9 aux bourses de la ville de Gen\u00e8ve &#8211; Centre d\u2019Art Contemporain. (2019).<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; R\u00e9sidence au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique Poissy &#8211; 2017)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; New Digital Talents &#8211; Geneva International Film Festival. (2016)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; R\u00e9sidence Pro Helvetia au Caire. (2016)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Prix Hits Playtime (2016)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22color: #000000; font-family: Calibri, Helvetica, sans-serif;%22>Etudes :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Master de journalisme \u00e0 l\u2019Institut de Journalisme de Bordeaux Aquitaine (\u00e9cole reconnue par la profession) Universit\u00e9 de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Licence \u00e0 l\u2019Universit\u00e9 Complutense de Madrid. Facult\u00e9 des sciences de la communication. (2007)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Bachelor LEA (anglais et espagnol) \u00e0 l\u2019Universit\u00e9 de Tours option medias. (2007)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; S\u00e9jour d\u2019un an aux USA. Obtention du bac \u00e0 la Cheyenne Mountain high-school. (2004)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Baccalaur\u00e9at scientifique. (2003)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Exp\u00e9riences professionnelles :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Artiste associ\u00e9 de l&rsquo;Abri 2019-2020<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD, bachelor Arts Visuels, option construction. (depuis 2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Responsable r\u00e9daction web et papier de l\u2019hebdomadaire tmv \u00e0 Tours et Niort. Mise en place de partenariats, coordinateur R&#038;D, initiateur r\u00e9\ufb02exion bi-m\u00e9dia. (2011-15)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; R&#038;D mag Usbek &#038; Rica. (2011)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Journaliste culture dans le quotidien La Croix. (2010-11)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>&#8211; Autres exp\u00e9riences en journalisme : <\/span><\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>T\u00e9l\u00e9rama. (2009) SudOuest. (2008-09). Okapi (2011). Phosphore (2011).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Enseignements :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Charg\u00e9 de cours : cycle sur l\u2019innovation dans le master de l\u2019\u00e9cole Publique de Journalisme de Tours. (depuis 2014)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Intervenant dans le master Design for social impact \u00e0 la Paris College of art (depuis 2018)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;%22>&#8211; Organisation de conf\u00e9rences et de workshops \u00e0 la Ga\u00eet\u00e9 Lyrique et membre du comit\u00e9 scientifique du Design Fiction Club. (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><strong><span style=\"color: #000000;\">Projets personnels :<\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\">&#8211; Des cartes et des sons (performance). Improvisation sur synth\u00e9tiseur modulaire \u00e0 partir d\u2019un jeu de carte fabriqu\u00e9 pour l\u2019occasion. Pem#13 2022 &#8211; Les 6 toits (Gen\u00e8ve &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Lavinia (Performance &#8211; Motion Capture). Pi\u00e8ce de th\u00e9\u00e2tre et adaptation du roman d\u2019Ursula K. Le Guin sous la forme d\u2019une performance avec motion capture.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Grange de Dorigny &#8211; Bienale art \/ science septembre 2023, GIFF 2023, Th\u00e9\u00e2tre Hexagone &#8211; Meilhan &#8211; Sc\u00e8ne Nationale Art Science &#8211; saison 2023-24.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Des Place[s] (performance et r\u00e9alit\u00e9 virtuelle). Exp\u00e9rience immersive inspir\u00e9e du protocole de Georges Perec dans Tentative d\u2019\u00e9puisement d\u2019un lieu parisien. GIFF Gen\u00e8ve 2021, Com\u00e9die de Gen\u00e8ve, Biblioth\u00e8que municipales (novembre 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Cairo Sound Tour (performance sonore). Visite guid\u00e9e sonore invers\u00e9e du centre du Caire en bus. D-Caf 2021 (Le Caire &#8211; Egypte) (octobre 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Fl\u00fbtes ! (Installation et performance sonore). 100 fl\u00fbtes \u00e0 becs et un syst\u00e8me d\u2019aire pour une exploration drone.Festival Archipel 2021, Ensemble Vortex\/Usine Kugler 2021, Klang Moor Schopfe 2021, Fracana\u00fcm saison culturelle \u00e0 Lausanne 2022, Radial 2022 (B\u00e2le &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; J\u2019irai constuire une cabane aux confins de l\u2019espace (performance et ateliers). Un cycle de recherche artistique sur la question des cabanes comme ph\u00e9nom\u00e8ne de soci\u00e9t\u00e9. Abri &#8211; F\u00eate du Th\u00e9\u00e2tre 2021 (Gen\u00e8ve -CH), \u00e9t\u00e9 culturel au Parc Lagrange (Gen\u00e8ve), Le Man\u00e8ge (Maubeuge).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Ao\u00fbt (Jeu). Cr\u00e9ation d\u2019un jeu mobile d\u2019arch\u00e9ologie futuriste. F\u00eate du 1er Ao\u00fbt 2018 &#8211; Parc La Grange, Gen\u00e8ve.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; HORDE. (Performance sonore). 10 heures de musique sur quatre instruments g\u00e9ants afin d\u2019adapter le roman La Horde du Contrevent. Festival de la Cit\u00e9 2017 \u00e0 Lausanne, Abri Gen\u00e8ve (2017), Lieu Unique Nantes (2018).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Murmures (Installation sonore). Exposition HEAD Salone Ludico &#8211; Milan 2017 ; Narratives of a near future \/ New campus HEAD 2017 ; arts@IGF ONU Gen\u00e8ve 2018 ; Parc La Grange 1er Ao\u00fbt 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Prom\u00e9th\u00e9e (jeu sonore). Prix Hits Playtime (2016), Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017), Swissnex India 2017, Ga\u00eft\u00e9 Lyrique &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Kairo[s] (s\u00e9rie de projets en design sonore, interactif et social). Co-concepteur avec la metteure en sc\u00e8ne Isis Fahmy d\u2019installations et de performances interactives et sonores. Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire en Egypte (2016), Festival de la Cit\u00e9 \u00e0 Lausanne (2016), Th\u00e9\u00e2tre Olympia \u00e0 Tours en France (2016), Festival Nouveau Cin\u00e9ma au Canada \u00e0 Montr\u00e9al. (2017)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text content_tablet=\u00a0\u00bb\u00a0\u00bb content_phone=\u00a0\u00bb<\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Cr\u00e9ations performance :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Louise Augustine. Festival Les Cr\u00e9atives &#8211; Th\u00e9\u00e2tre Saint-Gervais (2019).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Contrevent%91s%93. Performeur, sc\u00e9nographe, cr\u00e9ateur des instruments. Festival Castrum d&rsquo;Yverdon (2019), La B\u00e2tie (2019).<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; HORDE. Concepteur et compositeur pour la performance sonore. Festival de la Cit\u00e9 2017 \u00e0 Lausanne. Abri Gen\u00e8ve (2017) Lieu Unique Nantes (2018)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Kairo%91s%93. Co-concepteur d\u2019installations et de performances interactives et sonores. <\/span><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire (2016), Festival de la Cit\u00e9 2016 Lausanne (2016), Th\u00e9\u00e2tre Olympia en France (2016), Festival Nouveau Cin\u00e9ma \u00e0 Montr\u00e9al (2017) <\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Louise Augustine. Cr\u00e9ateur son pour le Sloop au Th\u00e9\u00e2tre du Poche \u00e0 Gen\u00e8ve (2016)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-size: 12pt;%22><strong><span style=%22font-family: Calibri, Helvetica, sans-serif; color: #000000;%22>Recherches :<\/span><\/strong><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Recherche HEAD &#8211; Gen\u00e8ve sur la question des nouvelles utopies technologiques au Caire avec l&rsquo;IRAD (<span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>Institut de Recherche en art et en design<\/span>, l&rsquo;IRMAS (<span style=%22font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;%22>Institut de recherche en musique et arts de la sc\u00e8ne), l&rsquo;American University in Cairo et le festival CairoTronica (depuis octobre 2019).<\/span><\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Recherche \u00e0 l\u2019IRMAS en collaboration avec l\u2019IRAD . (Juillet 2018 \u00e0 octobre 2019)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Organisation d\u2019un atelier de recherche en design fiction au NUMA (Paris) (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; R\u00e9sidence de recherche artistique au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique pour HORDE, Poissy (2017)<\/span><\/p>\n<p style=%22text-align: center;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22>&#8211; Bourse de r\u00e9sidence et de recherche <\/span><span style=%22color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;%22>en cr\u00e9ation Pro Helvetia au Caire pour le projet Kairo%91s%93. (2016)<\/span><\/p>\n<p style=%22text-align: justify;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p style=%22text-align: justify;%22><span style=%22font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;%22><\/span><\/p>\n<p>\u00a0\u00bb content_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #000000;\"><strong>Collaborations :<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Mic Mac 3D. Construction d\u2019instruments sonores et sc\u00e9nographique pour la compagnie de th\u00e9\u00e2tre musical Too Hot too hoot ? Novembre 2022 &gt; f\u00e9vrier 2023 : Gare du Nord (B\u00e2le &#8211; CH), Usine Sonore (Bienne &#8211; CH), KantonSchule (Zurich -CH), Fracana\u00fcm &#8211; saison culturelle \u00e0 Lausanne.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Cachalotte. Construction d\u2019instruments sonores et sc\u00e9nographiques pour une performance par le collectif de danse Oinch Oinch. Festival Emergentia 2022, Belluard 2023 (Fribourg &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Par les Villages. Sc\u00e9nographie et composition sonore de deux pi\u00e8ces itin\u00e9rantes produites par le Th\u00e9\u00e2tre du Poche et le Festival de la B\u00e2tie 2021.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Origamiiiz. Performance sonore et composition pour la pi\u00e8ce de danse de Marie-Elodie Greco, jeune public. F\u00eate de la danse de Lausanne 2021.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Dynamo. Performance avec le collectif Abricot. Abri &#8211; Gen\u00e8ve. (Mai 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Polympe[s]. Sc\u00e9nographie composition sonore et performance dans la pi\u00e8ce d\u2019Isis Fahmy. Th\u00e9\u00e2tre Saint-Gervais \u00e0 Gen\u00e8ve. (nov. 2019)<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Contrevent[s]. Sc\u00e9nographie, cr\u00e9ation d\u2019instruments sonores et performance sonore dans la pi\u00e8ce d\u2019Isis Fahmy. Festival de la B\u00e2tie 2019, Festival Castrum, Hexagone.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Sc\u00e8ne Nationale Art et Science de Meylan. (2019)<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Recherches :<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">\u2022 Jeux de cartes performatifs. Exploration des pratiques artistique sur les jeux de cartes. Co-requ\u00e9rant avec Isis Fahmy. HES-SO, domaines Design et Arts visuel et Musique et Arts de la sc\u00e8ne. Co-financement: HEAD \u2013 Gen\u00e8ve, La Manufacture. 2021-22.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Grand Geneva Futura Park. Cr\u00e9ation d\u2019objets de m\u00e9diation art\/sciences sur les questions des changements climatiques au niveau du Grand Gen\u00e8ve. Financement Territoire en recherche. HEAD &#8211; Gen\u00e8ve en partenariat avec la Manufacture, HEPIA, UNIGE. 2021-23.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Comment cr\u00e9er un objet performatif. Recherche-cr\u00e9ation sur la notion d\u2019objets performatifs, entre pratique th\u00e9\u00e2trale et de design. Co-requ\u00e9rant avec Isis Fahmy. Fond IRAD, Manufacture, en partenariat avec la HEAD &#8211; Gen\u00e8ve. 2018-2019.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; \u00c9tudes sur les nouvelles utopies technologiques au Caire au travers de projets artistiques collaboratifs. Exposition Cairo sound &#8211; le son comme vecteur de compr\u00e9hension en urbanisme. Appel \u00e0 projet Leading House Mena, HES-SO. Corequ\u00e9rant avec Isis Fahmy. HEAD &#8211; Gen\u00e8ve en partenariat avec la Manufacture, American University in Cairo, CairoTronica Festival. 2020-2021<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Membre du comit\u00e9 scientifique du Design Fiction Club \u00e0 la Ga\u00eet\u00e9 Lyrique. (2017-2019)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb44px||0px|||\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bbEtudes :\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4&Prime; custom_margin=\u00a0\u00bb-3px||5px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #020202;\">&#8211; Doctorat (en cours) au sein du laboratoire SACRe (ED.540 ENS-PSL), ENSADlab (Paris) et HEAD-Gen\u00e8ve<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve (2017)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master de journalisme \u00e0 l\u2019Institut de <\/span><span style=\"color: #020202;\">Journalisme de Bordeaux Aquitaine Universit\u00e9 <\/span><span style=\"color: #020202;\">de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbEnseignements :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Charg\u00e9 de cours : cycle sur l\u2019innovation dans le master de l\u2019\u00e9cole Publique de Journalisme de Tours. (depuis 2014)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Intervenant dans le master Design for social impact \u00e0 la Paris College of art (depuis 2018)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;\">&#8211; Organisation de conf\u00e9rences et de workshops \u00e0 la Ga\u00eet\u00e9 Lyrique et membre du comit\u00e9 scientifique du Design Fiction Club. (2017)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbExpositions collectives :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-4px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Murmures (installation\/sculpture) &#8211; <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">Exposition HEAD Salone Ludico &#8211; Milan 2017 &#8211;<\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"> Narratives of a near future \/ New campus HEAD 2017 <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">arts@IGF ONU Gen\u00e8ve 2018<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">&#8211; Prospektives labor (installation\/performance). Porzi Langenthal, Kunsthaus Langenthal, 2018.<\/span><br \/> <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Instrumentanimal (installation sonore). Biennale de la Fonderie Kugler, Utopik Park 2017.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Performance review (Vid\u00e9o). Biennale du design de Saint-Etienne 2017.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Prom\u00e9th\u00e9e (jeu vid\u00e9o exp\u00e9rimental). Ga\u00eft\u00e9 Lyrique<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"> &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016, Swissnex India 2017.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Ghost house (installation r\u00e9alit\u00e9 virtuelle). Tous Ecrans 2016, NIFFF 2017. <\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbExposition personnelle :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-4px||27px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Three cubic meter Kairo[s] (installation sonore). En duo avec la metteure en sc\u00e8ne Isis Fahmy. Artellewa art center, le Caire, avril 2016.<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbDistinctions :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-21px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 pour les Bourses de la ville de Gen\u00e8ve 2019 et Obtention d&rsquo;un atelier de la ville de Gen\u00e8ve de 2019 \u00e0 2022. <\/span><span style=\"color: #000000; font-family: Calibri, Helvetica, sans-serif;\" face=\"Calibri, Helvetica, sans-serif\" color=\"#000000\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><\/span><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">&#8211; Prix National d\u2019Innovation p\u00e9dagogique 2017 par le Minist\u00e8re de l\u2019Enseignement sup\u00e9rieur, de la Recherche et de l\u2019Innovation fran\u00e7ais pour le travail effectu\u00e9 \u00e0 l\u2019EPJT (2017)<\/span><br \/> <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 au Storyworld Cern par le NIFFF 2017<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; New Digital Talents Festival Tous Ecrans pour Kairo[s] (2016)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Prix Hits Playtime pour le jeu Prom\u00e9th\u00e9e(2016) <\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbExp\u00e9riences professionnelles :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Artiste associ\u00e9 de l&rsquo;Abri 2019-2020<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD, bachelor Arts Visuels, option construction. (depuis 2017)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Responsable r\u00e9daction web et papier de l\u2019hebdomadaire tmv \u00e0 Tours et Niort. Mise en place de partenariats, coordinateur R&amp;D, initiateur r\u00e9\ufb02exion bi-m\u00e9dia. (2011-15)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; R&amp;D mag Usbek &amp; Rica. (2011)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Journaliste culture dans le quotidien La Croix. (2010-11)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 12pt;\"><span style=\"font-family: Calibri, Helvetica, sans-serif; color: #000000;\">&#8211; Autres exp\u00e9riences en journalisme : <\/span><\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">T\u00e9l\u00e9rama. (2009) SudOuest. (2008-09). Okapi (2011). Phosphore (2011).<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbCr\u00e9ations et performances :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Louise Augustine. Festival Les Cr\u00e9atives &#8211; Th\u00e9\u00e2tre Saint-Gervais (2019).<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Contrevent[s]. Performeur, sc\u00e9nographe, cr\u00e9ateur des instruments. Festival Castrum d&rsquo;Yverdon (2019), La B\u00e2tie (2019).<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; HORDE. Concepteur et compositeur pour la performance sonore. Festival de la Cit\u00e9 2017 \u00e0 Lausanne. Abri Gen\u00e8ve (2017) Lieu Unique Nantes (2018)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Kairo[s]. Co-concepteur d\u2019installations et de performances interactives et sonores. <\/span><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire (2016), Festival de la Cit\u00e9 2016 Lausanne (2016), Th\u00e9\u00e2tre Olympia en France (2016), Festival Nouveau Cin\u00e9ma \u00e0 Montr\u00e9al (2017) <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Louise Augustine. Cr\u00e9ateur son pour le Sloop au Th\u00e9\u00e2tre du Poche \u00e0 Gen\u00e8ve (2016)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbRecherches :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Recherche HEAD &#8211; Gen\u00e8ve sur la question des nouvelles utopies technologiques au Caire avec l&rsquo;IRAD (<span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">Institut de Recherche en art et en design<\/span>, l&rsquo;IRMAS (<span style=\"font-family: Calibri,Helvetica,sans-serif; background-color: #ffffff; display: inline!important;\">Institut de recherche en musique et arts de la sc\u00e8ne), l&rsquo;American University in Cairo et le festival CairoTronica (depuis octobre 2019).<\/span><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Recherche \u00e0 l\u2019IRMAS en collaboration avec l\u2019IRAD . (Juillet 2018 \u00e0 octobre 2019)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Organisation d\u2019un atelier de recherche en design fiction au NUMA (Paris) (2017)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; R\u00e9sidence de recherche artistique au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique pour HORDE, Poissy (2017)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">&#8211; Bourse de r\u00e9sidence et de recherche\u00a0<\/span><span style=\"color: #000000; font-family: Calibri,Helvetica,sans-serif; font-size: 12pt;\">en cr\u00e9ation Pro Helvetia au Caire pour le projet Kairo[s]. (2016)<\/span><\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\u00a0\u00bboff|off|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_padding=\u00a0\u00bb44px||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bbEtudes :\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4&Prime; custom_margin=\u00a0\u00bb-3px||6px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p><span style=\"color: #020202;\">&#8211; Doctorat (en cours) au sein du laboratoire SACRe (ED.540 ENS-PSL), ENSADlab (Paris) et HEAD-Gen\u00e8ve- Doctorat (en cours) au sein du laboratoire SACRe (ED.540 ENS-PSL), ENSADlab (Paris) et HEAD-Gen\u00e8ve<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master Media Design &#8211; HEAD-Gen\u00e8ve <\/span><span style=\"color: #020202;\">(2017)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Master de journalisme \u00e0 l\u2019Institut de <\/span><span style=\"color: #020202;\">Journalisme de Bordeaux Aquitaine Universit\u00e9 <\/span><span style=\"color: #020202;\">de Bordeaux III. Mention Bien. (2010)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbEnseignements :\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; custom_margin=\u00a0\u00bb1px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p>&#8211; Chercheur associ\u00e9 \u00e0 l\u2019Institut de Recherche en Art et en Design de la HEAD &#8211; Gen\u00e8ve.<\/p>\n<p>&#8211; Intervenant Media Design et Architecture d\u2019int\u00e9rieur &#8211; HEAD &#8211; Gen\u00e8ve. (2020-2022)<\/p>\n<p>&#8211; Assistant p\u00e9dagogique \u00e0 la HEAD &#8211; Gen\u00e8ve, bachelor Arts Visuels, option Construction. (2017-2019)<\/p>\n<p>&#8211; Intervenant au Paris College of Art, Master Design for social Impact. (Depuis avril 2019)<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbAutres exp\u00e9riences professionnelles :\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; custom_margin=\u00a0\u00bb-4px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #020202;\">&#8211; Journaliste presse \u00e9crite culturelle entre <\/span><span style=\"color: #020202;\">2010 et 2015 :<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 Tmv Tours (2012- <\/span><span style=\"color: #020202;\">2015),<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 La Croix ( 2010-11).<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 Usbek et <\/span><span style=\"color: #020202;\">Rika (2010).<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 T\u00e9l\u00e9rama. (2009)<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 Sud <\/span><span style=\"color: #020202;\">Ouest. (2008-09).<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 Okapi (2011).<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 Nouvelle-R\u00e9publique du Centre-Ouest <\/span><span style=\"color: #020202;\">(2008).<\/span><\/p>\n<p><span style=\"color: #020202;\">\u00a0\u00a0\u00a0\u00a0 GQ (2008)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbProjets personnels :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-4px||27px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\">&#8211; <\/span><span style=\"color: #000000;\">Des cartes et des sons (performance). Improvisation sur synth\u00e9tiseur modulaire \u00e0 partir d\u2019un jeu de carte fabriqu\u00e9 pour l\u2019occasion. Pem#13 2022 &#8211; Les 6 toits (Gen\u00e8ve &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Lavinia (Performance &#8211; Motion Capture). Pi\u00e8ce de th\u00e9\u00e2tre et adaptation du roman d\u2019Ursula K. Le Guin sous la forme d\u2019une performance avec motion capture.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Grange de Dorigny &#8211; Bienale art \/ science septembre 2023, GIFF 2023, Th\u00e9\u00e2tre Hexagone &#8211; Meilhan &#8211; Sc\u00e8ne Nationale Art Science &#8211; saison 2023-24.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Des Place[s] (performance et r\u00e9alit\u00e9 virtuelle). Exp\u00e9rience immersive inspir\u00e9e du protocole de Georges Perec dans Tentative d\u2019\u00e9puisement d\u2019un lieu parisien. GIFF Gen\u00e8ve 2021, Com\u00e9die de Gen\u00e8ve, Biblioth\u00e8que municipales (novembre 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Cairo Sound Tour (performance sonore). Visite guid\u00e9e sonore invers\u00e9e du centre du Caire en bus. D-Caf 2021 (Le Caire &#8211; Egypte) (octobre 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Fl\u00fbtes ! (Installation et performance sonore). 100 fl\u00fbtes \u00e0 becs et un syst\u00e8me d\u2019aire pour une exploration drone.Festival Archipel 2021, Ensemble Vortex\/Usine Kugler 2021, Klang Moor Schopfe 2021, Fracana\u00fcm saison culturelle \u00e0 Lausanne 2022, Radial 2022 (B\u00e2le &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; J\u2019irai constuire une cabane aux confins de l\u2019espace (performance et ateliers). Un cycle de recherche artistique sur la question des cabanes comme ph\u00e9nom\u00e8ne de soci\u00e9t\u00e9. Abri &#8211; F\u00eate du Th\u00e9\u00e2tre 2021 (Gen\u00e8ve -CH), \u00e9t\u00e9 culturel au Parc Lagrange (Gen\u00e8ve), Le Man\u00e8ge (Maubeuge).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Ao\u00fbt (Jeu). Cr\u00e9ation d\u2019un jeu mobile d\u2019arch\u00e9ologie futuriste. F\u00eate du 1er Ao\u00fbt 2018 &#8211; Parc La Grange, Gen\u00e8ve.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; HORDE. (Performance sonore). 10 heures de musique sur quatre instruments g\u00e9ants afin d\u2019adapter le roman La Horde du Contrevent. Festival de la Cit\u00e9 2017 \u00e0 Lausanne, Abri Gen\u00e8ve (2017), Lieu Unique Nantes (2018).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Murmures (Installation sonore). Exposition HEAD Salone Ludico &#8211; Milan 2017 ; Narratives of a near future \/ New campus HEAD 2017 ; arts@IGF ONU Gen\u00e8ve 2018 ; Parc La Grange 1er Ao\u00fbt 2018<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Prom\u00e9th\u00e9e (jeu sonore). Prix Hits Playtime (2016), Nomin\u00e9 Accelerator Ludicious Festival Zurich (2017), Swissnex India 2017, Ga\u00eft\u00e9 Lyrique &#8211; I Love Transm\u00e9dia 2016, White Night Moscow 2016, GGConvention 2016.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Kairo[s] (s\u00e9rie de projets en design sonore, interactif et social). Co-concepteur avec la metteure en sc\u00e8ne Isis Fahmy d\u2019installations et de performances interactives et sonores. Th\u00e9\u00e2tre Saint-Gervais (mars 2016, avril 2018, mai 2018), Centre Artellewa au Caire en Egypte (2016), Festival de la Cit\u00e9 \u00e0 Lausanne (2016), Th\u00e9\u00e2tre Olympia \u00e0 Tours en France (2016), Festival Nouveau Cin\u00e9ma au Canada \u00e0 Montr\u00e9al. (2017)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">\u00a0<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbCollaborations :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-21px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #000000;\">&#8211; Mic Mac 3D. Construction d\u2019instruments sonores et sc\u00e9nographique pour la compagnie de th\u00e9\u00e2tre musical Too Hot too hoot ? Novembre 2022 &gt; f\u00e9vrier 2023 : Gare du Nord (B\u00e2le &#8211; CH), Usine Sonore (Bienne &#8211; CH), KantonSchule (Zurich -CH), Fracana\u00fcm &#8211; saison culturelle \u00e0 Lausanne.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Cachalotte. Construction d\u2019instruments sonores et sc\u00e9nographiques pour une performance par le collectif de danse Oinch Oinch. Festival Emergentia 2022, Belluard 2023 (Fribourg &#8211; CH).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Par les Villages. Sc\u00e9nographie et composition sonore de deux pi\u00e8ces itin\u00e9rantes produites par le Th\u00e9\u00e2tre du Poche et le Festival de la B\u00e2tie 2021.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Origamiiiz. Performance sonore et composition pour la pi\u00e8ce de danse de Marie-Elodie Greco, jeune public. F\u00eate de la danse de Lausanne 2021.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Dynamo. Performance avec le collectif Abricot. Abri &#8211; Gen\u00e8ve. (Mai 2021).<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Polympe[s]. Sc\u00e9nographie composition sonore et performance dans la pi\u00e8ce d\u2019Isis Fahmy. Th\u00e9\u00e2tre Saint-Gervais \u00e0 Gen\u00e8ve. (nov. 2019)<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Contrevent[s]. Sc\u00e9nographie, cr\u00e9ation d\u2019instruments sonores et performance sonore dans la pi\u00e8ce d\u2019Isis Fahmy. Festival de la B\u00e2tie 2019, Festival Castrum, Hexagone.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Sc\u00e8ne Nationale Art et Science de Meylan. (2019)<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbRecherches :\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\">&#8211; Jeux de cartes performatifs. Exploration des pratiques artistique sur les jeux de cartes. Co-requ\u00e9rant avec Isis Fahmy. HES-SO, domaines Design et Arts visuel et Musique et Arts de la sc\u00e8ne. Co-financement: HEAD \u2013 Gen\u00e8ve, La Manufacture. 2021-22.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Grand Geneva Futura Park. Cr\u00e9ation d\u2019objets de m\u00e9diation art\/sciences sur les questions des changements climatiques au niveau du Grand Gen\u00e8ve. Financement Territoire en recherche. HEAD &#8211; Gen\u00e8ve en partenariat avec la Manufacture, HEPIA, UNIGE. 2021-23.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Comment cr\u00e9er un objet performatif. Recherche-cr\u00e9ation sur la notion d\u2019objets performatifs, entre pratique th\u00e9\u00e2trale et de design. Co-requ\u00e9rant avec Isis Fahmy. Fond IRAD, Manufacture, en partenariat avec la HEAD &#8211; Gen\u00e8ve. 2018-2019.<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; \u00c9tudes sur les nouvelles utopies technologiques au Caire au travers de projets artistiques collaboratifs. Exposition Cairo sound &#8211; le son comme vecteur de compr\u00e9hension en urbanisme. Appel \u00e0 projet Leading House Mena, HES-SO. Corequ\u00e9rant avec Isis Fahmy. HEAD &#8211; Gen\u00e8ve en partenariat avec la Manufacture, American University in Cairo, CairoTronica Festival. 2020-2021<\/span><\/p>\n<p><span style=\"color: #000000;\">&#8211; Membre du comit\u00e9 scientifique du Design Fiction Club \u00e0 la Ga\u00eet\u00e9 Lyrique. (2017-2019)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: Calibri,Helvetica,sans-serif; font-size: 12pt; color: #000000;\">\u00a0<\/span><\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbDistinctions et r\u00e9sidences :\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; custom_margin=\u00a0\u00bb-3px||10px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<p><span style=\"color: #020202;\">&#8211; Laur\u00e9at Lips Lab 2023 &#8211; GRAME &#8211; Centre national de cr\u00e9ation musicale.<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Artiste associ\u00e9 \u00e0 l\u2019Abri &#8211; Gen\u00e8ve. 2019-2021.<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Laur\u00e9at d\u2019un Atelier de la ville de Gen\u00e8ve \u00e0 l\u2019Usine (2019)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Nomin\u00e9 aux bourses de la ville de Gen\u00e8ve &#8211; Centre d\u2019Art Contemporain. (2019).<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; R\u00e9sidence au Ch\u00e2teau \u00e9ph\u00e9m\u00e8re (Fabrique sonore et Num\u00e9rique Poissy &#8211; 2017)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; New Digital Talents &#8211; Geneva International Film Festival. (2016)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; R\u00e9sidence Pro Helvetia au Caire. (2016)<\/span><\/p>\n<p><span style=\"color: #020202;\">&#8211; Prix Hits Playtime (2016)<\/span><\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; module_id=\u00a0\u00bbcontact\u00a0\u00bb _builder_version=\u00a0\u00bb4.16&Prime; background_color=\u00a0\u00bb#2A80B9&Prime; background_color_gradient_direction=\u00a0\u00bb309deg\u00a0\u00bb background_enable_image=\u00a0\u00bboff\u00a0\u00bb background_blend=\u00a0\u00bbhue\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb29px||31px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.16&Prime; custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-15px||-20px||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; text_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<h4 style=\"text-align: center;\">Vous pouvez me joindre \u00e0 l&rsquo;adresse suivante :<\/h4>\n<h4 style=\"text-align: center;\"><strong>\u00a0renaudinbenoit[at]hotmail.fr<\/strong><\/h4>\n<p>[\/et_pb_text][et_pb_social_media_follow _builder_version=\u00a0\u00bb4.25.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_social_media_follow_network social_network=\u00a0\u00bbinstagram\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.instagram.com\/benoit.ren\/\u00a0\u00bb icon_color=\u00a0\u00bb#0C71C3&Prime; _builder_version=\u00a0\u00bb4.25.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_enable_color=\u00a0\u00bbon\u00a0\u00bb filter_opacity=\u00a0\u00bb97%\u00a0\u00bb border_radii=\u00a0\u00bbon|8px|8px|8px|8px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb follow_button=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Rapha\u00eblle MuellerBeno\u00eet Renaudin vit et travaille \u00e0 Gen\u00e8ve. Il est constructeur d&rsquo;instruments, musicien, sc\u00e9nographe, auteur. Son approche transdisciplinaire lui permet d\u2019exp\u00e9rimenter dans le domaine de la musique exp\u00e9rimentale, de la construction d\u2019instruments ou encore d\u2019imaginer des installations sonores et des sc\u00e9nographie dans le domaine des arts vivants. Chercheur associ\u00e9 \u00e0 la HEAD \u2013 Gen\u00e8ve, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-48786","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/pages\/48786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48786"}],"version-history":[{"count":52,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/pages\/48786\/revisions"}],"predecessor-version":[{"id":49353,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/pages\/48786\/revisions\/49353"}],"wp:attachment":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}