Quatre com\u00e9diennes incarnent Louise Augustine, la patiente favorite du docteur Charcot \u00e0 la fin du XIXe. Dans l’h\u00f4pital de la Salp\u00e9tri\u00e8re, chaque semaine, Augustine se montre, en transe, devant les plus grands noms parisiens.
Dans cette commande du th\u00e9\u00e2tre Poche_GVE, la metteure en sc\u00e8ne Isis Fahmy lie modulation sonore et jeu au plateau gr\u00e2ce \u00e0 la fabrication par Beno\u00eet Renaudin d’une corde amplifi\u00e9e. Un instrument jou\u00e9 par les com\u00e9diennes.<\/p>\n
Mise en sc\u00e8ne Isis Fahmy<\/strong> <\/p>\n Lieu d’exposition<\/strong><\/p>\n Th\u00e9\u00e2tre Poche_GVE, 2016<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_5,3_5,1_5″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/IMG_1484.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":" Louise AugustineQuatre com\u00e9diennes incarnent Louise Augustine, la patiente favorite du docteur Charcot \u00e0 la fin du XIXe. Dans l’h\u00f4pital de la Salp\u00e9tri\u00e8re, chaque semaine, Augustine se montre, en transe, devant les plus grands noms parisiens. Dans cette commande du th\u00e9\u00e2tre Poche_GVE, la metteure en sc\u00e8ne Isis Fahmy lie modulation sonore et jeu au plateau gr\u00e2ce […]<\/p>\n","protected":false},"author":1,"featured_media":48918,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[10],"project_tag":[],"class_list":["post-48815","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-scenographie"],"_links":{"self":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/project\/48815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48815"}],"version-history":[{"count":3,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/project\/48815\/revisions"}],"predecessor-version":[{"id":48919,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/project\/48815\/revisions\/48919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=\/wp\/v2\/media\/48918"}],"wp:attachment":[{"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48815"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=48815"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.benoitrenaudin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=48815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Texte de Nad\u00e8ge R\u00e9veillon<\/strong>
Avec Jeanne De Mont, Mich\u00e8le Gurtner, R\u00e9becca Balestra et Oc\u00e9ane Court<\/strong>
Cr\u00e9ation sonore de Beno\u00eet Renaudin<\/strong><\/p>\n