Faire corps. \u00catre li\u00e9. Relier. Voil\u00e0 ce qui constitue l\u2019essence de notre humanit\u00e9. Le spectateur de th\u00e9\u00e2tre s\u2019enferme dans de sombres salles pour se mettre en travail, rapprocher une sensation d\u2019un mot, lier son exp\u00e9rience du monde \u00e0 l\u2019\u00e9cho qu\u2019il tire des mots et des images qui naissent du plateau. Il re\u00e7oit et renvoie du sens ; souffle de vie, respiration de l\u2019esprit.
En adaptant sur sc\u00e8ne l\u2019imaginaire puissant \u00e0 la langue sculpt\u00e9e du roman La Horde du Contrevent d\u2019Alain Damasio, Contrevent[s] propose une travers\u00e9e en plusieurs tableaux o\u00f9 les corps, les mots et les images se superposent au rythme de nos doutes.<\/p>\n
Dans Contrevent[s] Beno\u00eet Renaudin a imagin\u00e9 la sc\u00e9nographie comme un organisme social. Chaque \u00e9l\u00e9ment, chaque structure permet \u00e0 la fois de faire paysage mais aussi de cr\u00e9er une partition architecturale pour les interpr\u00e8tes. Le montage de ces formes, \u00e0 l’aide d\u2019\u00e9lastiques en silicone orange, est donn\u00e9 \u00e0 voir au d\u00e9but de chaque repr\u00e9sentation. Ces constructions n’ont pas \u00e9t\u00e9 fix\u00e9es sur des plans ou des sch\u00e9mas. En revanche, elles ont \u00e9t\u00e9 inscrites dans les corps lors des r\u00e9p\u00e9titions avec une entra\u00eenement quotidien d’un mois pour permettre collectivement le montage de ces architectures. Cette m\u00e9thode r\u00e9sonne avec le roman, la mani\u00e8re dont il am\u00e8ne la question des projets collectifs, de la mani\u00e8re d’avancer en groupe.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_text _builder_version=\u00a0\u00bb4.2.2″]
Texte d’Alain Damasio extrait de La Horde du Contrevent<\/p>\n
\u200bMise en sc\u00e8ne et dramaturgie, Isis Fahmy<\/p>\n
Assistant \u00e0 la mise en sc\u00e8ne, Jonas Lambelet<\/p>\n
Co-conception sonore, Alexandra Bellon, Anne Briset, Jeanne Larrouturou et Beno\u00eet Renaudin<\/p>\n
Co-conception chor\u00e9graphique, Marie-Elodie Greco et Marc Oosterhoff<\/p>\n
Direction technique et cr\u00e9ation lumi\u00e8re, Joana Oliveira<\/p>\n
Dispositifs sonores et sc\u00e9nographiques, Beno\u00eet Renaudin<\/p>\n
Spatialisation sonore et r\u00e9gie, Thierry Simonot<\/p>\n
Vid\u00e9o, Giuseppe Greco<\/p>\n
Costume, Florencia Soerensen<\/p>\n
Administration, Marion Houriet \u2013 Emma Ducommun \/ Minuit Pile<\/p>\n
Cr\u00e9dits Photo: Nagi Gianni<\/p>\n
\u200bAvec 9 performeurs :<\/strong><\/p>\n Alexandra Bellon, Anne Briset, Oc\u00e9ane Court-Mallaroni, Danae Dario, Marie-Elodie Greco, Jeanne Larrouturou, Marc Oosterhoff, Louka Petit-Taborelli, Beno\u00eet Renaudin\u00a0<\/p>\n Lieux d’exposition<\/strong><\/p>\n Le Castrum\u00a0\/\u00a0TBB, Yverdon-les-bains (CH) \u2013 ao\u00fbt 2019<\/p>\n La B\u00e2tie\u00a0\/\u00a0Th\u00e9\u00e2tre de l’Orangerie, Gen\u00e8ve ( CH) \u2013 septembre 2019<\/p>\n Hexagone, sc\u00e8ne nationale Arts-Sciences, Meylan (FR) \u2013 d\u00e9cembre 2019<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/10-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb4.2.2″ custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/12-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/2-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.2.2″ custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_video src=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=UXEfdqRYkec\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb4.2.2″ custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/7-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/6-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/5-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb4.2.2″ custom_padding=\u00a0\u00bb0px|||||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/9-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.2.2″][et_pb_image src=\u00a0\u00bbhttps:\/\/www.benoitrenaudin.com\/wp-content\/uploads\/2020\/06\/13-Contrevent-Naji-Gianni-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.2.2″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n","protected":false},"excerpt":{"rendered":" ContreventsFaire corps. \u00catre li\u00e9. Relier. Voil\u00e0 ce qui constitue l\u2019essence de notre humanit\u00e9. Le spectateur de th\u00e9\u00e2tre s\u2019enferme dans de sombres salles pour se mettre en travail, rapprocher une sensation d\u2019un mot, lier son exp\u00e9rience du monde \u00e0 l\u2019\u00e9cho qu\u2019il tire des mots et des images qui naissent du plateau. 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